Rob James

Stringed Instruments
67' Fender Telecaster
95' Fender American Standard Telecaster
74' Gibson Les Paul Custom
93' Gibson Les Paul Special
98' Jerry Jones 12-String Electric
Alvarez Yairi DY-84C Acoustic
Alvarez Yairi DY-80 12-String Acoustic
1917 Gibson Model "A" Mandolin
1930's Epiphone Lap Steel Guitar

Amplifiers
Fender Basman Re-issue
Fender Blues DeVille
Marshall 2550 Silver Jubilee
Matchless Brave
Matchless DC30
Crate CA125D Acoustic Amplifier

Effects and Gadgets
(2) Ibanez Tube Screamers
Fulltone Pro Distortion
Fulltone Fulldrive 2
Fulltone Supa-Trem
Boss Blues Driver
Boss Chorus
Boss RC-20 Loop Station
Line6 Echo Pro
Voodoo Lab Analog Chorus
Voodoo Lab Micro Vibe
Electro-Harmonix Memory Man
Vintage Rat
Turbo Rat
Prescription Electronics Experience Pedal
Danelectro Daddy O.
MXR Micro Amp
Dunlop 535Q Wah
Dunlop Jimi Hendrix Wah
Ernie Ball Volume Pedal
Ebow
(2) Digtal Music Corp. GCX Audio Switchers
Digital Music Corp. Ground Control

Additional Comments:
My first real guitar was the 74' Les Paul, listed above. I purchased it with the money I'd earned from delivering papers...and alot of help from my folks. I love the Les Paul, but over time I've come to rely more and more on the sound and feel of a 67' Tele I bought at Gruhn Guitars, in Nashville. I would have to say that this guitar, plugged into the Silver Jubilee Marshall makes up the core of my overall guitar sound.

I have, however begun to experiment with adding different amplifiers and effect pedals, both in live and studio situations. My fave studio amp is the Matchless. Wonderful tones not to mention the fact that it's GREEN!

The Digital Music Corp. switching system has enabled unlimited possibilities when it comes to programming any combination of amplifiers and effects.

(Thanks to Kevin Mcdonald at Swissvale Music).

Any specific questions about...well... ANYTHING!!!?? Please feel free to email.
rob@clarksonline.com.

I'm always ready and willing to talk shop.

Thanks
Rob James